Akhnenaten was second son and successor to Amenhotep III. He spent the first five years of his reign in Thebes, and he favored the sun shrine characteristic of the Heliopolitan center of solar worship, which featured open courts on a central axis. Smaller stones were used which a single man could carry. Tens of thousands of these in the best sandstone were quarried at Gebel el-Silsila, about 100 km south of Thebes.

These small blocks were recycled later as the sun temples were reduced, and used as fill or foundation in walls and pylons of the 19^th Dynasty. Some have been found in Horemheb’s Pylons II and IX at the Amun temple at Karnak, as foundation blocks beneath the hypostyle hall of the Amun temple, and in Ramesses II’s pylon and outbuildings in the Luxor temple. Some survived to be used as late as the reign of Nectanebo I, and some turned up at Medamud in Ptolemaic period constructions.

Akhenaten erected four major structures at Karnak during the first five years of his reign. The major building was called "the Sun-disk is Found", built in anticipation of the jubilee; then there were the "Exalted are the monuments of the Sun-disc", and "Sturdy are the movements of the Sundisk." The smallest of the four was the Hwt-bnbn, "Mansion of the benben stone". A Hwt-itn, "Mansion of the Sun-disk", mentioned in tombs on the west bank, has not as yet turned up in the scenes on these blocks.

Only one of the four structures has been located and partly excavated. The main Aten temple was built to the east of Karnak. From the center of its western side ran a columned corridor 12 feet wide that led west to connect with the 18^th Dynasty royal palace which lay just north of Pylons IV, V and VI of the Amun temple. There were probably life-size statues made of red quartzite representing the king, arms crossed, though other statues may have included the queen as well. Reliefs show the king with one arm outstretched and being caressed by the rays of the sun-disc.

In the Aten temple, the consistent theme was the celebration of the jubilee, or heb-sed. Scenes in the entrance corridor coming from the palace show the approach of the royal party, courtiers kissing the earth, men dragging bulls, etc. Turning right along the west wall, to the southwest corner and then east along the south wall, are reliefs depicting the ritual of the "Days of the White Crown," when the king made offerings dressed as the monarch of Upper Egypt. It is presumed that similar scenes were depicted showing the King in the same ritual for the Red Crown and Lower Egypt.

The Hwt-bnbn, though to-date not found, is reconstructed in the scenes on the blocks featuring tall graceful pylons and walls. But the identity of the celebrant of the offering to the sun-disc is not Akhenaten, but instead, his wife Nefertiti.

The relief decorations of the two temples called "Exalted are the monuments of the Sun-disc," and "Sturdy are the movements of the Sundisk," both structures also as-yet undiscovered, show domestic apartments, rewarding of officers, and other scenes from domestic life.

After the fifth year of his reign, Akhenaten moved from Thebes to Amarna, the new city he had built, and work on Karnak ceased. The name of Amun was obliterated throughout Karnak and the Theban area.

Location : Aswan, Egypt

Description :

Philae Temple was dismantled and reassembled (on Agilika Island about 550 meters from its original home on Philae Island) in the wake of the High Dam. The temple, dedicated to the goddess Isis, is in a beautiful setting which has been landscaped to match its original site. It's various shrines and sanctuaries, which include The Vestibule of Nectanebos I which is used as the entrance to the island, the Temple of the Emperor Hadrian, a Temple of Hathor, Trajan's Kiosk (Pharaohs Bed), a birth house and two pylons celebrate all the deities involved in the Isis and Osiris myth. The Victorian world fell in love with the romance of the Temple. But at night you can also visit the Sound and Light Show, a magical experience as floodlit buildings are silhouetted against the volcanic rocks and water surrounding them. So today, Philae is more fun then every before.

Although antiquities on the island date between the 26th Dynasty and the Roman Period, most of the work is from that of the Roman. This was a time of immense popularity of the Goddess Isis, and this was her island, where pilgrims would come from all over the Mediterranean. Construction on the island took place over an 800 year span, and it was one of the last strongholds of Ancient Egyptian Religion which continued to flourish here into the 6th Century. When the Temples where finally closed by Justinian in A.D 550, it ended 4,000 years of worship of the pagan gods.

The Philae Temple complex, prior to its removal and restoration, set alongside Biga Island. To the ancient Egyptians, Biga was the sacred mound, the first ground created from Nun out of Chaos. This was the legendary burial place of Osiris. The earth was considered to be part of his body so that only priests and temple servants were permitted to live there.

The Fatimid Mosque, which lies within the walls of St. Catherine's Monastery

St. Catherine's is also a formidable fortification, with granite walls 40 to 200 feet tall, surrounded by gardens and cypresses. Prior to probably the twentieth century, the only entrance to St. Catherine's was a small door 30 feet high, where provisions and people were lifted with a system of pulleys, and where food was often lowered to nomads. It has withstood numerous attacks over its 14 hundred year existence thus protecting a rich store of art, and today, while it is one of the oldest monasteries in the world, its original, preserved state is unmatched.

These tombs were tunneled into the bedrock in the age of the Antonine emperors (2nd century A.D.)for a single wealthy family still practicing the ancient religion. As a privately financed project, it is an engineering feat of some magnitude. These tombs represent the last existing major construction for the sake of the old Egyptian religion. They are alone worth the trip to Alexandria. Though the funerary motifs are pure ancient Egyptian, the architects and artists were schooled in the Greco-Roman style. Applied to the themes of Ancient Egyptian religion, it has resulted in an amazing integrated art, quite unlike anything else in the world.

A winding staircase descends several levels deep into the ground, with little chapels opening from it, furnished with benches to accommodate visitors or mourners bringing offerings. There are niches cutout to hold sarcophagi.

Room 7 : The two headless sphinxes, carved under Amenhemhet IV (12th Dynasty), are spectacular. The two headless black basalt statues of Isis in the niches flanking the doorway show us a clear example of Isis Knot.

Room 8 : This room is devoted to mummies and sarcophagi. A visitor can see the difference between the gilded and painted cartonnage of the pharaonic mummies and the ornate diamond bandage of the Ptolemaic ones.

Room 9 : This room is mainly dedicated to show pieces of a shrine in the Fayoum dedicated to the Crocodile-god, Pnepheros.

Room 11 : Contains some of the most interesting statues, in which Egyptian scenes and techniques are portrayed with Greek influences. We can see image of divine serpents " The Agathadaimon Stelae" and their worshippers. Limestone fragments from a temple at Athribis (Benha) are along the north wall of the room. The god Tutu faces Horus and Athribis with a broken inscription of Greek between them.

Room 12 : Contains statues of Graeco-Roman period. A colossal red granite head of Ptolemy IV, was found at Abuqir, wearing the double crown of Egypt. The mosaic of Medusa, once a pavement, originally showed Medusa's entire body. The most spectacular piece is the colossal white marble statue of Marcus Aurelius (121-180 AD), which was discovered under the Sayed Darwish Theater. In the same room, we can see a marble statue of Isis as a goddess of the Nile reclining against a sphinx. Her left hand holds a vessel for the Holy Water and the eight children climbing over her represent the eight cubits the Nile rises for a perfect flood.

Room 14 : is filled with portrait heads of famous Romans : Hadrian, Vespasian, and Augustus.

Room 16 : Contains some of the finest Hellenistic statuary available. The torso of Aphrodite is magnificent . At the end of the hall are a couple of male torsos, a female, and a seated male, which belonged to a group of statues carved for a pediment for a palace near the eastern harbor.

Room 17 : Contains some of the best Sarcophagi found. The most unique one shows Ariadne asleep on the island of Naxos. The god of sleep (Hypnos) stands by her head, and behind him lies the boat that brought her from Crete. Her husband, Dionysisu, stands in front of her with his retinue. The rest of the facade shows a drunken Hercules being helped homeward.

Room 18 : The funerary amphora from Chatby. It dates to the end of the fourth century BC. It still has its artificial wreath of green leaves and golden berries around its neck. Another display is a unique collection of clay Tanagra ( an ancient city in the northern part of Greece) figures. This collection spans the 3rd century BC to the 1st century AD. It provides information about women's fashions, hairstyles, hats and dresses in the ancient world.

Room 21 : This room contains plenty of pottery and some statues. The statue that stands out in this hall is a Hercules statue with a club in his left hand and his lion-skin coat in his right.

Room 22 : This hall is dedicated to colored glassware. Early in Egypt's history, the people learned how to make glass. It is a chance to see the early discovery of the fusion of soda and sand. At the end of the hall is a beautiful bronze head of Hadrian (76-138 AD).

Location :  

Aswan, Egypt

Description :

The Nubia Museum harbors the history of the "Land of Gold" as the word Nubia in the Hieroglyphic, language of ancient Egypt in which pictorial symbols are used to represent meaning and sounds, means the "Land of Gold"...Hence, this land, over times, was abounding in monumental treasures. 

The Nubia Museum, in Aswan, as a matter of fact, is deemed to be one of the most important Egyptian museums. A number of factors have combined together, yielding the magnificence of such museum, as it is the only unique open museum of its kind. 

Preparing this museum lasted for ten years, all dedicated for hard work to come up with such lovely museum. Let alone, it stands as a wonderful model of international cultural cooperation representing in United Nations Educational, Scientific, and Cultural Organization (UNESCO). 

In April 6 th, 1959, the Egyptian government appealed to the United Nations Educational, Cultural, and Scientific Organization (UNESCO), seeking help to salvage the monumental sites in Nubia, hence, the area between Aswan and the Sudan was inundated by the Nile waters especially after completing the Aswan Dam. 

The response of the (UNESCO), in fact, came fast, as it called upon the international community to contribute to this project. 

Since then, (UNESCO) has been a key player in the archaeological field in Egypt. 

In no time, the executive committee, comprising representative of 15 member states, was set up, and was commissioned with studying technical, monumental and financial reports with the aim of providing the (UNESCO) with basic information required to effectively implement the project. 

The (UNESCO), obviously, has contributed much to nudging the entire world to pay more attention to saving such invaluable monuments. By the end of 1975, and as a result of this relentless support on the part of the (UNESCO), the donations influx - contributed by 24 countries - amounted to $ 123304. 

Unsurprisingly then that the operation of saving the Nubian monuments was described as the greatest in the history of saving monuments. 

The operation, as known, included dismantling Abu Simbel Temple, inter alia, moving it to another area to be reassembled once again. Abu Simbel Temple was completely dismantled to 1036 pieces, each with average of 7 to 30 tons, as they were rebuilt on the top of the mountain overlooking the genuine spots, drawn by the ancient Egyptians 3000 years ago. 

The world outcry, however, was translated into many concrete actions; donations to salvage the deteriorated-condition monuments, a number of excavation missions - which pursued their tasks in such hard conditions in areas extend 500 kilometres along the Nile banks. 

A number of 40 missions have taken part in this great but difficult job, unearthing several priceless treasures dating back to pre-history times; Pharaonic, Greek, Roman, Islamic and Coptic. 

Fossils, which were discovered during excavations, undoubtedly provided full knowledge about Nubian life and its development along ages. 

In January, 1975, the General Egyptian Authority for Antiquities submitted a request to the (UNESCO) seeking the organisation's assistance to preserve the ancient Egyptian monuments, through establishing a city for museums harbouring a cluster of open museums with a view to displaying rare and wonderful monuments of various ages. 

Being the main supporter to save the Nubian monuments, the (UNESCO) approved this request, and entrusted the executive committee, responsible for salvaging operations, with assuming the tasks of this new project. This committee was named the "The Executive Committee for the International Campaign for Establishing the International Museum of the Monuments of Nubia in Aswan, and the National Museum for Ancient Egyptian museum in
Cairo". 

Since February, 1981, a number of symposiums and seminars was held for contribution to this great project. It was the first time in the history of the (USECO) to decide launching an international campaign to establish local museum. This, however, could be ascribed to the magnificent monumental treasures Egypt has. 

On February 4 th, 1986, the foundation stone of the museum of Nubia was laid down, playing new effective role that was derived from the spring of culture and civilization at both home and international levels. 

To the Egyptians, the museum is to display life over centuries. As for foreign visitors, the museum will show the history of such unique area, as a source of knowledge for researchers from around the globe. 

The International Museum of Nubia is located in Aswan on an area of 50,000 square meters, 7000 of which are excluded to building, while the rest designed to be the yard of the museum. 

The building has three floors for displaying and housing, in addition to a library and information center. The largest part of the museum is occupied by the monumental pieces, reflecting phases of the development of the Nubian culture and civilization. 

Three thousands pieces of antiq., representing various ages; Geological, Pharaonic, Roman, Coptic and Islamic, were registered. The open-door exhibition includes 90 rare monumental pieces, while the internal halls contain 50 invaluable pieces dating back to the pre-history times, 503 pieces belong to Pharaonic time, 52 of Coptic era, 103 of Islamic age, 140 of Nubian time, in addition to 360 pieces having the tang of Aswan. 

The work in this unique edifice lasted for 11 years straight, and cost LE 60 million. 

The museum of Nubia gained this unique position simply because it harbors unique monuments not in any elsewhere. 

It houses the statute of Ramsis II, which was laid at the very forefront of the Museum, statute of Amenras the spiritual wife of Amen, she is of Nubian origin. It, also, has the head of the Shpatka, of the Nubian origin, made of rosy granite, head of black granite of Tahraqa, the Nubian King, whose reign during the 7th century BC was said to be full of prosperity. There is a temple of his name with gold-plated pillars. 

There are, also, four mummies for nobles, which were found in Kashmatkh town in Nubia.  The museum, as well, houses several models and styles of the Nubian heritage, the panorama of the Nile, depicting live image of the River Nile streaming through its banks. 

There is also a model for the Nubian-style house, typically copied to mirror the nature of life in Nubia.

 All pieces exhibited in the museum reflect the character of the Nubia over history and display how it merged with the Islamic civilization on one hand and the mother civilization of Egypt on the other. 

So, the museum of Nubia plays vital role not only at the level of promoting Nubia to the entire world but also at the level of maintaining monuments and supporting researchers, interested in Nubia, from around the globe. 

This, however could be achieved through the museum's study center and the documentation centers which publish more information on the "Land of Gold" in Egypt, the past, the present and the future. 

Nubia Museum, which hosts 3000 monumental pieces of several times, ranks tenth in the list of the museums inaugurated in Egypt over the past three years. An array of important museums, however, has been inaugurated; Mohamed Nagui Museum, Modern Egyptian Art Museum, Museum of Mohamed Mahmoud Khalil and his wife, Museum of Ahmed Desouki,
Port Said Museum for Modern Arts, Taha Hussein Museum, and the Mummification Museum in Luxor. 

Location :

Kom Ombo, Egypt

Description :

Located in the town of Kom-ombo, about 28 miles north of Aswan, the Temple, dating to the Ptolemies, is built on a high dune overlooking the Nile. The actual temple was started by Ptolemy VI Philometor in the early second century BC.  Ptolemy XIII built the outer and inner hypostyle halls. The outer enclosure wall and part of the court were built by Augustus sometime after 30 BC, and are mostly gone.  There are also tombs from the Old Kingdom in the vicinity of Kom-ombo village.

The Temple known as Kom Ombo is actually two temples consisting of a Temple to Sobek and a Temple of Haroeris.  In ancient times, sacred crocodiles basked in the sun on the river bank near here. The Temple has scant remains, due first to the changing Nile, then the Copts who once used it as a church, and finally by builders who used the stones for new buildings.

Everything is duplicated along the main axis.  There are two entrances, two courts, two colonades, two hypostyle halls and two sanctuaries.  There were probably even two sets of priests. The left, or northern side is dedicated to Haroeris (sometimes called Harer, Horus the Elder) who was the falcon headed sky god and the right to Sobek (the corcodile headed god).  The two gods are accompanied by their families.  They include Haroeris'  wife named Tesentnefert, meaning the good sister and his son, Panebtawy.  Sobeck likewise is accompanied by his consort, Hathor and son, Khonsu.

Foundations are all that are left of the original Pylon.  Beyond the Pylon, there was once a staircase in the court that lead to a roof terrace.  The court has a columned portico and central altar.  There is a scene of the King leaving his palace escorted by standards. Near the sanctuary is a purification scene.  On either side of the door to the pronaos are columns inscribed with icons of the lotus (south) and papyrus (north), symbolizing the 'two lands' of Egypt.

In the southwest corner of the pronaos is the one column that does not echo the duality of the temples.  Here, there are scenes depicting purification of the King, his coronation and his consecration of the Temple.  The ceiling has astronomical images.

The hypostyle hall has papyrus capitals on the columns.  Here, there is an inventory of the scared places of Egypt, the gods of the main towns and the local and national festivals. 

In the anti chamber, there are scenes depicting the goddess Seshat launching the building of the temple, followed by a scene of the completed temple with the king throwing natron in a purification ceremony.  The staircase leading to the roof is all that remains of the offering hall.

Statues to the gods and the builders of the temple once occupied the net room just before the sanctuaries.  The ceiling of the pure place to the north still remains with an image of Nut.  There is little left of the sanctuaries. 

The main temple was dedicated to Ramesses II and to the four universal gods Ptah, Re-Harakhte, Amun-Re, and to Ramesses II himself. Of the seven temples he built, Abu Simbel is considered to be the most impressive.

The facade of the main temple is 108 feet high and 125 feet wide with four colossal seated statues about 65 feet high wearing the double crown and having the cartouches of Ramesses II. They are taller than the colossi of Memnon at Thebes and are carved out of solid rock. At the feet of the calossus, beginning on the left are Queen Nofretari, Prince Amenhirkhopshef, the Kings mother Muttuya, Princess Bent'anta, unnamed, but probably Esenofre, Princess Nebettawy, Queen Muttuya, Princess Nofretari, Princess Merytamun, Princess Beketmut, Prince Ri'amsese, and Queen Nofretari, who where all members of Ramesses II's family. (Editor's Note : We wonder if Ramesses II bribed his kids to make good grades. Bring home an A and I'll put you in my new Colossus.)

Above the doorway in a niche stands the sun god, a falcon headed representation of Ramesses, holding a war-scepter which shows the head and neck of an animal which is read as user, in his right and a figure of Ma'at in his left. This cleverly creates the Kings throne name of User-Ma'at-Re. At the top of the facade is a row of baboons which are thought to be greeting the morning sun and indeed the monument looks best at that time. The sides of the thrones next to the entrance are decorated with Nile gods symbolically uniting Egypt, while below are prisoners, representing conquered nations, to the left, African and to the right, Asian.

The entrance leads into a Grand Hall which is 57 feet high and 52 feet wide and was cut from the rock. It is supported with eight pillars with statues of Ramesses. The statues on the north side of the hall wear the double crown, while those on the south the white crown of upper Egypt. Just as other temples in Egypt, the floor and ceiling taper off to draw focus to the sanctuaries in the back of the temple. The reliefs on the north wall of the Grand Hall show scenes from the Battle of Kadesh. Other walls depict the king slaughtering captives in front of the gods Amun-Re and Re-Harakhte, and storming a fortress with his three sons.

To either side of the Grand Hall are smaller rooms, two to the South and four to the North. Most suggest that these rooms were for storage (treasure rooms) but elsewhere it is suggested that they were used for festivals related to the Kings Jubilee.

Beyond the Grand Hall is the second hypostyle hall with its flowered pillars. Scenes in this hall show the King and his wife, Nefertari making offerings to Amun and Re-Harakhte (the Sun God), and beyond that is the three chapels, the central one containing the four deities worshipped in the temple (including Ramesses II). A Solstices occurs twice a year on or about February 20-22nd and October 20-22nd when the rays from the sun enter the front of the temple and bathe the statues of the Gods 200 feet inside the temple with light. Interestingly enough, all but Ptah, the source of Chthonian life.

On either side of the Facade are two small chapels. At the Southeast corner of the facade there are three stelae. One of these is called the Marriage Stela and documents the marriage of Ramesses II to the daughter of the King of the Hittites. (Editors Note : The question is, what did she look like? Did Ramesses consider this a heroic deed?) On the other side of the Facade is the Sun Chapel, an open court dedicated to the sun. Here, there are pillars with cavetto cornices. The one with steps held four praying baboons, the other a chapel with images of Khepri and Baboon-Thoth. The latter is now in the Antiquities Museum in Cairo.

Hathor was the wife of the Sun God so in a symbolic way, the two Temples, that of Ramesses II and that of Nefertari, brings Ramesses II and Nefertari and Hathor and the Sun God together as one. The facade of the temple is a receding Pylon, just as the larger temple of Ramesses II. On either side of the entrance to the temple are a deified statue of Nefertari with statues of Ramesses II on either side of her. The statues of Nefertari are the same height as those of Ramesses, which is unusual. Like at Ramesses II's temple, there are children depicted around their feet. There are cobras protecting the Temple door.

This temple is much simpler than the Temple of Re-Herakhte. It has only one hypostyle hall and the sanctuary. Within the hall are images of Ramesses in battle with Nefertari present. Other scenes depict Ramesses being crowned by Horus and Seith and presenting Ma'at to Amun. On the back wall, Nefertari is before Hathor and Mut. Just behind the Hypostyle Hall is a small chamber with images of Hathor cow framed in reeds. Beyond that is the sanctuary with a divine cow emerging from the rear rock wall protecting Ramesses, below her. Above the cow, vultures guard the Queens cartouches. Other scenes show Nefertari offering incense to Mut and Hathor, and the King worshipping before his own image and that of Nefertari